Saturday, April 5, 2014

The Book of Dreams


Photo by Marko Krojač



The Book of Dreams

Digital print and charcoal on canvas (4,30x1,90m)

Dreammachine (variable size)

Original book (19x24cm)

Installation (variable size)

2008


Photo by Marko Krojač

The making of The Book of Dreams by interviewing people of New York City and by their writing of the statement "I had a dream" in their native tongues.
What brought all those people over there and what happened to their dreams in the process; I had a dream and I am still dreaming, I had a dream and it has changed, I had a dream and it’s gone, there is a multitude of traditions, faces and cultures and everybody dreams… about things tangible and intangible, about injustice which is not undone and its consequences which go on deforming things, about creative energy and its power and working, or its extinguishing and disappearance…

Photo by Marko Krojač


The print, the drawing of a subjective vision of the sight of Manhattan from the horse’s back (from the time of colonization?) made of copies of hand-written  words of today’s New York City inhabitants who are saying "I had a dream" in their native languages.



Photo by Marko Krojač

Dreamachine a stroboscopic flicker device that produces visual stimuli. Created by Artist Brion Gysin and scientist Ian Sommerville in 1961. A dreamachine is "viewed" with the eyes closed: the pulsating light stimulates the optical nerve and alters the brain's electrical oscillations. Its frequency range corresponds to alpha waves, electrical oscillations normally present in the human brain while relaxing. The "viewer" experiences increasingly bright, complex patterns of color behind their closed eyelids. It is claimed that viewing a dreamachine allows one to enter a hypnagogic, dreamlike state.


Photo by Marko Krojač



* as a bonus, and with the courtesy of Youtube, Flicker, a film by Nick Sheehan